Saturday, September 24, 2011

Song(s) of the week

This week’s pick:
“Mykonos” by Fleet Foxes
Where I found Fleet Foxes: Funny story, I found this song completely by accident. I was watching the movie Due Date and I went to try to find one of the other songs on its soundtrack and mistakenly thought this was it. It wasn’t, but I liked the song anyway.
Hmmm, I guess that story wasn’t so much funny as it was exactly what happened. It’s a fine line...
What I like: Great atmosphere, tons of reverb, and some absolutely killer harmonies.
Mykonos - Fleet Foxes

Thursday, September 22, 2011

It's Like A Sickness...

I’m writing this very, very late, so I apologise if any of this becomes incoherent or my vocabulary becomes a little... less big.
Spoilers...
How I Met Your Mother – “The Best Man” and “The Naked Truth” (A-)
I’m going to review the two episodes from Monday night together because despite having relatively different plots they do tend to function as one hour long season premiere.
And what a premiere it was. I wasn’t exactly blown away by last season’s finale – in terms of developing the overall arc of the series we didn’t get much – but the way this episode picked things back up I am extremely excited about what’s to come in the year ahead.
I’m glad the writers continued with the Barney/Robin relationship tension from the finale. As always, every time we talk about these two together I have to give a disclaimer because of how it turned out the first time around, but I do think this time will be different. The way the writers have set everything up (quite skilfully I might add) it looks like the two of them won’t get together until the season finale, if not the series finale, so anyone anxious about their lack of chemistry as a couple probably don’t need to worry anytime soon. Personally, I’ve always been rooting for these two to get together again.
The real question I think the writers are asking though is whether it’s Nora, Robin, or some other mystery woman who ends up becoming Barney’s bride. There were a few clues in this one. The way Lily came to get Ted at the end of the episode to tell him the bride needed him was one of them, suggesting the bride is probably Robin, but I wouldn’t count Nora out either. While he’ll likely end up with Robin in the end (fingers crossed anyway), the way Barney was talking about whether he made the right choice or not makes it seem like there’ll be more drama in that decision than we’ve seen so far.
Of course, maybe the craziest development in the premiere came in its final moments with the return of Victoria. Of all the women Ted has dated over the years Victoria is my favourite. Stella obviously had a good run, but we got closure with her. She hurt us (yes, I said us... don’t read into it). Victoria was a casualty of Ted and Robin’s relationship. At the time they were the couple everyone was rooting for so I was okay with her departure, but now that the Ted and Robin era is out of the picture it’s a lot easier to see just how awesome a character we lost in Victoria.
And her return addresses an important issue with How I Met Your Mother these days – it’s very hard to get invested in any of Ted’s relationships when we know they’re doomed to fail. It’s why Zoey met such a cold reception last season. Victoria is an interesting move by the writers. I don’t think it’s possible based on the back story of the mother that Victoria could be her, but the idea of returning Ted to a well-liked former flame is certainly a creative solution to the problem. It may all end up being a shameless stall (they were quite up front in this one that the story isn’t even close to finished yet) but at the moment her return has certainly piqued my interest.
All in all I thought both episodes were really funny, and like all good season premieres they set the ground work for the rest of the season. Many of you worried that this show had completely run out of places to go should be at least somewhat satisfied with the direction of the season so far.
2 Broke Girls – “Pilot” (C+)
Whitney Cummings actually has two shows coming out this season. One she’s starring in, and the other is this show. Supposedly, 2 Broke Girls is supposed to be the better of the two, which at the moment doesn’t bode well for her other project.
I’ll be honest, I haven’t seen or heard much of Cummings’ stand up routine, but I do know the buzz around her is she’s quite edgy. That’s sort of what puzzles me about this pilot – if Cummings comedy style is so fresh and innovative why restrain it to a format as worn as the 4-camera sitcom? The jokes just didn’t seem organic, following a very obvious set-up, set-up, punch line routine, and the laugh track didn’t help matters at all. I could see how some of this stuff would be funny in a stand up routine, but coming out of the mouths of these characters it just felt stilted.
I guess a lot of the content of 2 Broke Girls is a little more risky than your average sitcom, and there were at least a few good laughs in the episode, so not everything here was all bad. Pilots are tough – you’ve got to introduce the premise of the show and all of its characters, and for a sitcom you’ve got to do it in just half an hour. It’s no wonder a lot of them come across as forced. I’m a big fan of Kat Dennings, and I have a feeling that once this show is allowed to break off into more specific storylines there’s a good chance it could be worth watching. Just based on the pilot though, 2 Broke Girls has a lot of hill to climb.
Modern Family – “Dude Ranch” (B+) and “When Good Kids Go Bad” (A-)
Oh how I missed this show. Fresh off its second straight Emmy win (though I still contend Parks and Recreation got robbed) it doesn’t look like Modern Family is showing any signs of slowing down. Both of these episodes certainly highlighted that the show is just as good as ever.
The first episode of the night, “Dude Ranch,” kicked things off with a bang. I loved watching Phil play cowboy in a desperate attempt to impress Jay (Ty Burrell proving he really did deserve that Emmy). Overall the writers actually did a great job with the change in scenery. When I first saw the previews for “Dude Ranch” I thought it came off a little gimmicky, and while it is strange that these families seem to take every vacation with each other, picking a dude ranch as their destination worked quite well.
I thought Tim Blake Nelson was a fantastic addition as Hank, the facilitator of the dude ranch. One of the better recurring gags in this episode was Hank’s nicknames for each member of the family. My favourite was Bossy, aka Claire, mostly because after she got the nickname it seemed to catch on with the rest of the extended family (Dylan and Phil had my favourite usages). I also loved the scene where he organized the search party for Dylan, frequently assuming the poor kid was dead in front of a very uncomforted Haley. It reminded me of that great old Simpsons episode where Homer and Mr. Burns get stuck in a cabin with each other.
I’ve also got to point out what a great idea it was to pair up Luke and Mitchell. These two just never seem to get storylines together and after this episode I kind of don’t understand why. The scene where they blew up the birdhouse together was definitely one of the highlights of the first half of the night.
The second episode, “When Good Kids Go Bad,” was even better in my opinion. I think some of the best episodes in this series are when the whole family gets together at the end and all of the separate storylines collide. Watching Claire to go to such great lengths to prove she was right only for Jay to do the same moments later at the most inopportune time ended up capping off both of those plotlines in a way far funnier than they could have on their own.
 And that probably would have been my favourite part of the episode if it wasn’t for Gloria. Gloria’s always shown hints that maybe she’s not as far removed from the darker side of her Columbian roots as she acts, but this episode took it farther than it’s ever gone before, and wow was it hilarious. From subtly threatening Manny’s principle to casually breaking into a young girl’s locker, pretty much every scene she was in was a highlight. In fact the funniest part of the night was just listening to Sofia Vergara’s delivery on this line:
GLORIA: You’d be surprised what people can live with Jay.
The last thing I think I need to talk about is the addition of Aubrey Anderson-Emmons as the new Lily. I’m sure I’m not alone in saying I was a little thrown off by the fact that Lily has transformed from a non-speaking toddler to a kindergartner in just over a summer. Anderson-Emmons is very cute in the role, but I’m someone who likes a certain level of realism and there was definitely something unnatural about that transition.
That’s not to say I think it’s all bad though. I wrote at length last season about how I felt that Mitchell and Cameron’s storylines were getting a little monotonous at times, and how part of that was due to the fact that they don’t have a kid who can function as a real character. The new Lily opens up a ton of new story possibilities and character groupings, and it could very well be the shot in the arm Mitchell and Cameron need to get more variation in their storylines. You could already see some of the benefits starting in “When Good Kids Go Bad.” Hopefully in the long run the writers can keep that up.
Some of my favourite lines:
MITCHELL: I want to be able to teach my son all the things that my dad taught Claire.
PHIL: Which one’s bossy?
HANK: That’s my nickname for your wife.
PHIL: Hilarious!
DYLAN: I just wanted to thank you all for bringing me on this trip and making me feel like one of the family, especially Bossy.
GLORIA: You stole the locket! After I told the principle that you could have never done something like that and I threaten him with the Columbian necktie.
LUKE: (to Lily) This isn’t over...
MITCHELL: How long was I in that dryer? Is this why I’m afraid of tumbling? I had to quit gymnastics Claire!
PHIL: (incensed) A childhood without tumbling... you knew this and just stood by and did nothing!
New Girl – “Pilot” (B)
I love Zooey Deschanel. It doesn’t matter what that girl does, I want to see it. So perhaps I didn’t go into this pilot as objective as I could have been, but I’m okay with that. There’s a lot of charm to this show. It’s not exactly firing on all cylinders yet. There were plenty of jokes that didn’t land and not all of the characters work at the same level, but this pilot had enough charm that even the stuff that didn’t work still gives me hope for its future.
I should note though, Damon Wayans Jr. is still committed to the surprisingly renewed Happy Endings and unfortunately he’s not going to be around for much longer. That’s a shame because of all the guys I actually found him the most entertaining. His “stop it” response to Jess’s crying is exactly the kind of crap my friends and I would pull. So until his replacement is revealed we’re not going to get the whole picture, but either way I think New Girl has earned a second viewing.

Saturday, September 17, 2011

Emmy Picks

The Emmys are tomorrow night and since we are a television blog I figured I should probably weigh in on who I think is most deserving. I’m just going to stick to the main categories for this post, but I encourage you all to pay attention to some of the more behind the scenes categories as well. I’m that nerd who can’t wait to see who wins the writing awards.
Please keep in mind that these picks are who I want to win. Not who I think will win. Unfortunately I’m not a voting member of the academy so this is as close as I can get.
Lead Actress in a Comedy Series – Amy Poehler
Apparently Laura Linney is favoured to win this award for The Big C, and in all honesty I haven’t seen any of that show. For my money though, you’d be hard pressed to find anyone funnier last season than Amy Poehler. She has this uncanny ability to somehow play the straight man and the comic all at the same time, sometimes even just with herself. It’s just a pity she’s the only one from the terrific Parks and Rec cast to get nominated this year.
Lead Actor in a Comedy Series – Steve Carell
After 5 nominations you’ve just gotta give Steve Carell this one. Michael Scott will probably go down as one of the iconic characters in television history and Carell did such a fantastic job of seeing him off that his farewell episode could have been finale of the series and it wouldn’t have bothered me one bit.
Supporting Actress in a Comedy Series – Julie Bowen
This is actually a really strong category this year, but I’m going to have to go with Julie Bowen. Watching Claire and Phil interact on a weekly basis is the best part of Modern Family.
Supporting Actor in a Comedy Series – Ty Burrell
The other half of that tandem. Phil Dunphy is my favourite character on Modern Family and Ty Burrell is the main reason why.
Comedy Series – Parks and Recreation
If you read the blog with any regularity this pick shouldn’t be a surprise at all. I still love Modern Family but I didn’t think its second season was as good as its first. Parks and Recreation’s third season was so funny I’d actually say that it’s as good if not better than The Office was in its prime. The cast has really come into their own over the past couple of years and right now you’d be hard pressed to find a weak link among them. And that’s not even mentioning the writing, which at the moment is firing on all cylinders. I really do mean it when I say that this is the funniest show on television right now.
Oh, and just a quick side note: Community was robbed of a nomination in this category. If I were voting between it and the 6 other current nominees I would put Community second only behind Parks and Rec.
Lead Actress in a Drama Series – Connie Britton
It’s tough to think of anyone more deserving to win in this category than Connie Britton. Friday Night Lights has been such an underrated (and under viewed) show for so long that it wasn’t until last year that she got her first nomination in this category. But Britton is a phenomenal actress and her portrayal of Tami Taylor, the coach’s wife, was too perfect for her to not win this award at least once.
Lead Actor in a Drama Series – Kyle Chandler
This one is a lot tougher for me to pick. Jon Hamm deserves to win one for Mad Men, and heck, I have a soft spot for Hugh Laurie as well, but both of those shows are getting another season, and much like Connie Britton, Chandler has been giving award worthy performances for far too long to not be recognized tomorrow night. Together the two of them formed perhaps the most realistic marriage I’ve ever seen on television.
Supporting Actress in a Drama Series – Christina Hendricks
This one was a bit of a tossup for me between Christina Hendricks and Kelly MacDonald, but Joan is one of my absolute favourites on Mad Men so I had to give Hendricks the edge. Hopefully this is her year.
Supporting Actor in a Drama Series – Peter Dinklage
My favourite new discovery this year was Game of Thrones, and of its many characters I found Dinklage’s Tyrion Lannister to be one of the most interesting. I honestly didn’t realize how good of an actor this guy is until I saw him on that show, so I’m happy that he’s finally gotten some material that lets him show off his chops.
Drama Series – Friday Night Lights
Think I’m overdoing it with the Friday Night Lights picks? Well I’m serious when I say this isn’t just a ploy to validate my love of the series. I’ve seen the other contenders, and while this isn’t necessarily an easy pick (Mad Men, Game Of Thrones), I think it’s the right one. What Friday Night Lights has done over its 5 year run is nothing short of amazing – hell, just surviving that long with those ratings is nothing short of amazing – so the fact that its final season was able to wrap up the series in such a moving and satisfying way makes it more than a worthy choice for this award.

Song(s) of the week

This week’s pick:
“This Crowded Room” by Freedom Or Death
Where I found Freedom Or Death: This may be the most obscure pick I’ve ever made. I was up late one night – and by late I mean late enough people were starting to get ready for work, aka the only time music videos are on anymore – when I decided to turn the TV to Much Music. You can probably guess who I found. Lady Gaga? No, this guy. Damn, you really need to work on your guessing.
What I like: The production on this song is top notch (I feel old for saying that) and I love this guy’s voice. He’s not belting it out or anything like that, but his delivery is perfect for this song. I particularly like the way he uses his voice rather than just more instruments to fill in some of the background tracks. It adds a nice layering dynamic to the song.
This Crowded Room - Freedom Or Death

Friday, September 16, 2011

Do Not Give Up. We Really, Really Need Normal Cheese.

Holy crap, we’re back! Yes, no more 15 consecutive weeks of songs you’ve probably heard before, we’re actually talking about television again.
Anyway to kick off the new television season I’ve decided to do a couple one-off reviews of some of the new pilots coming out this year. And who knows, if I like a few of them I just might stick with them.
Up All Night – “Pilot” (B+)
I think my new favourite thing might be cursing around newborn babies. I was actually pleasantly surprised with this debut. I always figured this show had a chance just because of the people involved. I was one of the few who actually liked Will Arnett’s failed Running Wilde last season and anyone who’s ever seen Anchorman or Saturday Night Live know that Christina Applegate and Maya Rudolph can bring the comedy. Throw in perennial executive producer Lorne Michaels and creator Emily Spivey – one of the very funny writers of probably the funniest show on television right now Parks and Recreation – and you’ve got all the ingredients of an extremely funny show.
Really the only question I had about this series was its overdone premise. Baby storylines tend to be very boring to watch primarily because the old parenting clichés that serve as the foundation of the genre are only funny to people who’ve just had a baby. Did you know new parents get really tired? Yeah, so did everyone else.
That’s kind of what makes Up All night so interesting though. It’s a mixture of some classic baby storylines with fresh writing and an absolutely fantastic cast. And make no mistake: it’s the cast that sells this show. Whether it be Will Arnett walking through a grocery store or Christina Applegate lamenting that Matt Lauer is talking to her through the TV, I feel like I can watch this couple do anything and still be entertained. That’s a very good sign for a brand new show.
Maya Rudolph’s character is the wildcard. She’s sort of a spin-off of a Tracey Jordan or Jenna Maroney type, rich and insecure. That’s a good and a bad thing. The good is that she allows the writers to go in pretty much any direction they want. She has enough money that almost any storyline is plausible and her character is portrayed as zany enough to get away with doing just about anything. The bad is that this type of character is already quite well represented on television right now, and if not written just right I could see her growing tiresome, especially with the strength of Applegate and Arnett as a comedic duo.
Overall though it was hard not to be taken in by the charm of this show. Not everything in the pilot worked. There were certainly moments where the show devolved into the tired parenting clichés I worried about before its debut, but I didn’t find them hindering my enjoyment as much as I thought they would. Up All Night has enough going for it that it feels like you can forgive it for the odd misstep. The best you can say about a pilot is that it has promise. Right now Up All Night has it in spades.
Free Agents – “Pilot” (C-)
I’m not going to write too much about this one. I hate to say it because I love Hank Azaria but this pilot just did not do it for me. I don’t really see a clear direction for the show beyond the relationship between Azaria and Kathryn Hahn’s character and to be honest neither of them was particularly funny. I may give this one a few more episodes – perhaps once they’ve gotten through the introductions in the pilot the show will get funnier – but at the moment there’s not much I see in this one that makes me want to keep watching.
--
It’s good to be back.

Saturday, September 10, 2011

Song(s) of the week

This week’s pick:
“Baby Blue” by Scanners
Where I found Scanners: Man, I miss Shameless. I was remembering back through some of the great music from that show and I found this little number tucked away in the archives (shut up, I can have archives).Shameless is still a few months away from coming back but I figured I’d post this one to remind everyone what a fantastic ride that first season was.
What I like: This song is hard for me to peg. I love the dynamics of the song, the way the band rotates instruments in and out of the song, changing the tempo and intensity as they go. I’m also a huge fan of the main xylophone/guitar riff (I’m not entirely sure what they’re using for that) that seems to tie the whole thing together. In the end though, it’s a song that does a lot of little things right. No one section really steals the spotlight, but together it all just works.
Baby Blue - Scanners

Saturday, September 3, 2011

Song(s) of the week

This week’s pick:
“Everything Trying” by Damien Jurado
Where I found Damien Jurado: I decided to go with another song from House again this week. I’d call it a theme but I’m sort of out of House songs after this one so... it’s a two week theme that was totally planned and not at all coincidental.
What I like: It’s just a really well written singer-songwriter type song.
Everything Trying - Damien Jurado